Cap. 415 Art. 23Performer’s rights to beidentified and to prohibit the distortion, mutilation and modification of performances.

(1) Independently of a performer’s economic rights, and even after the transfer of those rights, the performer shall until the expiry of the economic rights, as regards his live aural performances or performances fixed in phonograms, have the right to claim to be identified as the performer of his performances, except where omission is dictated by the manner of the use of the performances, and to prohibit any distortion, mutilation or other modification of his performances that would be prejudicial to his reputation:

Provided that during the lifetime of the performer it shall not be lawful to transmit any of the aforementioned moral rights.

(2) On the death of the performer -

(a) the right passes to such person as he may by testamentary disposition specifically direct, provided that on this person’s death the right passes to his successor;

(b) if there is no such direction but the copyright in the work in question forms part of his estate, the right passes to the person to whom the copyright passes.